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Polis Project

Cultural Criticism

Perfect Victims

Mohammed el-Kurd’s ‘Perfect Victims’ Asks Why Palestinians Must Perform Their Humanity to Be Seen

The Polis Project
The Age of Orphans and The Neighbors

The Neighbors and The Age of Orphans: Reading Iranian Novels at the Edge of War

The Polis Project
Pedagogy of the Oppressed

Oppression and Dehumanization: Reading ‘Pedagogy of the Oppressed’ Amid Israel’s Genocide in Gaza

The Polis Project
Lila Abu-Lughod

Lila Abu-Lughod Shows Why Those Who Claim to Save Muslim Women Don’t Care About Them

The Polis Project
Edward Said Covering Islam

Edward Said’s ‘Covering Islam’ Remains Disturbingly Relevant Today

The Polis Project
Morocco tourism gaza genocide

Rebranding Occupation From Morocco to Gaza: Tourism, Power, and the Business of Forgetting 

Farida F. Alvarez
Psychic Anesthesia

Psychic Anesthesia: How the State’s Scapegoating of Muslims Makes Hatred Feel Inevitable, Numbing National Grief 

Shaifila Ladhani
Malayalam police dramas

Grief, Guilt, and Vigilante Heroism: How Malayalam Police Procedurals Transform State Failure into Personal Burden

Aabha Muralidharan
Gaza Disavowal

Why Does Knowledge Not Galvanize Action Anymore? On Gaza, Disavowal, and the Myth of ‘Ethical Consumerism’

Narayanan Gopalakrishnan
Delhi Metro

Who Can Afford Delhi’s Metro? How a Dream Project Became a Commuter’s Nightmare

Ankush Pal

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The Polis Project is a 501(c)(3) nonprofit organization. Your tax-deductible contribution goes directly toward supporting our contributors, our staff of talented editors, researchers, writers, producers and artists, and our fellows.

All donations are tax deductible. Our EIN: 82-4072305

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