The Polis Project, Inc is a hybrid research and journalism organization producing knowledge about some of the most important issues affecting us, by amplifying diverse perspectives from those indigenous to the conflicts and crisis affecting our world today.
Research. Reportage. Resistance.
We democratise scholarship, produce in-depth, critical journalism and knowledge for and by communities in resistance.
We make sense of the world with its infinite injustices, inequality and violence, with the courage to reveal how existing systems, ideas, ideologies and laws have failed us.
We compress complexity by understanding that knowledge is power, and like all power, it shouldn’t be owned by a few people or corporations.
We pursue this by adapting our storytelling, analysis and research to the newest, most innovative ways of spreading our work to the most engaged audiences possible.
Diversity: We amplify voices that are unique, critical, remarkable and underrepresented.
Form Agnostic: We deliver in the forms and platforms where our audiences live.
Integrity: We maintain the highest standards of professionalism, honesty and fairness. We speak truth to power, we nurture critical voice of dissent.
Suchitra Vijayan is a writer, photographer, lawyer, political essayist, and a lecturer. She studied Law, Political Science and International Relations, and was trained as a Barrister-at-Law and called to Bar at the Honourable Society of Inner Temple. Her work looks at theories of violence, war, and human nature. She writes about war, conflict, foreign policy, politics, literature, and photography. Her columns appear regularly in The Hindu and Warscapes Magazine. She has written for GQ, The Telegraph, and Foreign Policy amongst other publications. As an attorney previously worked for the United Nations war crimes tribunal for Yugoslavia and Rwanda. She co-founded and was the Legal Director of Resettlement Legal Aid Project, Cairo that gave legal aid for Iraqi refugee. As a graduate student at Yale, she was researching and documenting stories along the contentious Durand Line. She was embedded with the ISAF forces – 172 infantry brigade, in Paktika Province, Afghanistan conducting research on the counterinsurgency practices in the Afghanistan-Pakistan border, which became her graduating thesis and the basis of the first book, Midnight’s Border (forthcoming) that looks at the making of political borders in South Asia. She is the founder and the Executive Director of The Polis Project.
Asim Rafiqui is an independent photojournalist whose work has appeared in Newsweek, Time, Harper’s, Stern, National Geographic (France) and many other publications. Asim has reported from Haiti, Japan, India, Pakistan, USA, Afghanistan, Israel, Palestine, Sweden and Ukraine among other places. Born and raised in Karachi, Pakistan, he moved to New York in 1984 to study engineering at Columbia University and has since lived, at various times, in New York, Los Angeles, San Francisco, Lahore, London, Munich, Bangkok, Stockholm, and Kigali. Asim was a Fulbright Fellow and an Aftermath Grant awardee to India, where he worked on the “Idea of India” project documenting India’s heritage of cultural and religious pluralism and syncretism. He was awarded an Open Society Fellowship in 2012 for his most recent long-term project in Pakistan. Asim is using a variety of media to present a more nuanced and personal perspective on the issue of access to justice in Pakistan. By focusing on the plight of some of Pakistan’s most marginalised communities, he highlights the structural roots of the pervasive injustice that afflicts their lives and the failure of the current legal apparatus to resolve them. Asim also received a Pulitzer Centre for Crisis Reporting grant to document the impact of the Israeli closure of the Gaza Strip on its residents. In 2015 Asim received the Magnum EF Grant for his work on the missing and disappeared in Baluchistan and the role of the Pakistani State. He authors the photography and politics blog “The Spinning Head”. He is based in Stockholm, Sweden ‘Asim is currently a Ph.D. candidate in Goldsmiths, Univerity London
Francesca Recchia is an independent researcher and writer. She is interested in the geopolitical dimension of cultural processes and in recent years has focused her research on urban transformations, creative practices and intangible heritage in countries in conflict. Her work is grounded on an interdisciplinary approach that combines Urban, Visual and Cultural Studies. Francesca was a Research Associate at the Centre of South Asian Studies. SOAS, London, a Postdoctoral Research Fellow at the Bartlett School of Planning, University College of London, has a PhD in Cultural Studies at the Oriental Institute in Naples and a Masters in Visual Cultures at Goldsmiths College, University of London. She is now a Visiting Lecturer at Università Bocconi in Milan. She is the author of three books: The Little Book of Kabul (with Lorenzo Tugnoli), Picnic in a Minefield and Devices of Political Action. Collective Towns in Iraqi Kurdistan (with a photo-essay by Leo Novel)She was the director of the 4th Afghan Contemporary Art Prize in Kabul and of Caravanserai -Kabul in Karachi.
Nawaz Gul Qanungo
Nawaz Gul Qanungo was born in Srinagar, India-administered Kashmir. He studied dental surgery in the port city of Mangalore in southern Indian and began his practice in Srinagar in 2004, before moving to Chennai in 2006 to study at Asian College of Journalism. He joined soon after in New Delhi the Indian financial daily Business Standard. Since 2009, he has been working as an independent journalist based out of Srinagar. His work has appeared widely in South Asia and elsewhere including in The Hindu, The Times of India, The Caravan, Himal Southasian, Dawn, The Friday Times, Biblio, Tehelka, Scroll, Down to Earth, Dinamalar, Fountain Ink, Kashmir Times, and Rediff among others, apart from anthologies Until My Freedom Has Come—The New Intifada in Kashmir (Penguin India, South Asia 2011; and Haymarket, United States 2013) and forthcoming (HarperCollins). He is the Editor of The Polis Project and can be reached at [email protected]
Michael Busch is a New York City-based writer and researcher, and Senior Editor of Warscapes Magazine. He curates The Polis Project’s lecture series and the book club. He is the Director of Public Programming at The Polis Project.
Warscapes is an independent online magazine that provides a lens into current conflicts across the world. Warscapes publishes fiction, non-fiction, poetry, interviews, book and film reviews, photo-essays and retrospectives of war literature from the past fifty years. Warscapes is motivated by a need to move past a void within mainstream culture in the depiction of people and places experiencing staggering violence, and the literature they produce. Apart from showcasing great writing from war-torn areas, the magazine is a tool for understanding complex political crises in various regions and serves as an alternative to compromised representations of those issues.
Our “Yodas”—the wise ones who guide us
David Palumbo-Liu’s fields of interest include social and cultural criticism, literary theory and criticism, and studies in race and ethnicity. His most recent book, The Deliverance of Others: Reading Literature in a Global Age (Duke, 2012) addresses the role of contemporary humanistic literature with regard to the instruments and discourses of globalization, seeking to discover modes of affiliation and transnational ethical thinking; he is also co-editor with Bruce Robbins and Nirvana Tanoukhi of Immanuel Wallerstein and the Problem of the World: System, Scale, Culture (Duke, 2011). Palumbo-Liu is most interested in issues regarding social theory, community, race and ethnicity, human rights, globalization, ecology, and the specific role that literature and the humanities play in helping us address each of these areas.
With Prof. James Cavallaro of Stanford Law School he started the interactive human rights website, Teaching Human Rights: An International Student-Teacher Collaboratory, which currently lists over sixty collaborators from around the world including NGOs, combined classrooms in Europe, and other participants.
David Palumbo-Liu is the founding editor of Occasion: Interdisciplinary Studies in the Humanities (found on Arcade);his writings have appeared in Truthout, The Nation, Jacobin, The Boston Review, The Guardian, Al Jazeera, Vox, Salon, AlterNet, and other venues. He is also a Contributing Editor for the Los Angeles Review of Books. He serves on the Executive Council of the Modern Language Association, the HASTAC (Humanities, Arts, Science & Technology Alliance and Collaboratory) Advisory Committee, and the Academic Steering and Advocacy Committee of the Open Library of the Humanities. He was recently elected Second Vice President of the American Comparative Literature Association, and will assume the presidency March 2018. He is a former Chair of the Stanford Faculty Senate.
Please visit his website for more information, essays, blogs, events: http://www.palumbo-liu.com
Bhakti Shringarpure is Assistant Professor of English at the University of Connecticut and editor-in-chief of Warscapes magazine. She received her PhD in Comparative Literature from the City University of New York (The Graduate Center). She works in the fields of postcolonial literature and theory, gender and sexuality studies, digital humanities, culture studies, media, and film. Her recent publications include two edited anthologies titled Literary Sudans: An Anthology of Literature from the Sudan & South Sudan (Africa World Press) and Imagine Africa (Archipelago Books) as well as a translation of Senegalese writer Boris Boubacar Diop’s novel Kaveena (Indiana University Press).
Her current book project Cold War Assemblages: Decolonization to Digital destabilizes existing Cold War genealogies by viewing the Cold War as a postcolonial phenomenon that emerged as the afterlife of European colonialism. The book explores impactful moments during the Cold War in order to establish that these set into motion several irreversible trajectories, which include embedding an episteme of violence within the decolonized Third World and facilitating intrinsically connected literary and academic interventions that have shaped literary canons and digital cultures today.