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Polis Project

Reviews

Gauri Gill Farmer Protests

Photographer Gauri Gill Reimagines India’s Farmer Protests as ‘The Village on the Highway’
Jaishree Kumar

Wajid Yaseen's Tape Letters Project

Tape Letters: Wajid Yaseen’s “Sound Archaeology” Project Captures Pakistani Diasporic Memory
Priyanka Sacheti

The Eyes of Gaza by Plestia Alaqad

The Eyes of Gaza: Plestia Alaqad’s Portrait of Endurance Amid the Horrors of Genocide
Adithya Kamesh

A Fate Written on Matchboxes

A Fate Written on Matchboxes: Hafsa Kanjwal’s Incisive Examination of India’s Settler-Colonial Project in Kashmir
Dilpreet Bhullar

Viyyukka

Viyyukka: Counternarratives of Women Revolutionaries
Shoma Sen

When We Were Arabs Massoud Hayoun

When We Were Arabs: Massoud Hayoun’s Literary Resistance to Zionism
Aysha Sana

Gulammohammed Sheikh

Of Worlds Within Worlds: Travelling Through 65 Years of Gulammohammed Sheikh’s Outstanding Oeuvre
Joshua Muyiwa

Tees

“It’s a Rather Perverse Vindication of My Film”: Dibakar Banerjee on Tees, Censorship, and Cinema
Aditya Shrikrishna, Subrata Beura

Turtles can fly review

Interrogating Innocence in Conflict: War-torn Childhood in Bahman Ghobadi’s Turtles Can Fly
Isha Kazmi

Khubsoorat movie review

Khubsoorat: An Emergency Film in Disguise
Anjali Krishnakumar

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