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Polis Project

Reviews

Gauri Gill Farmer Protests

Photographer Gauri Gill Reimagines India’s Farmer Protests as ‘The Village on the Highway’

Jaishree Kumar
Wajid Yaseen's Tape Letters Project

Tape Letters: Wajid Yaseen’s “Sound Archaeology” Project Captures Pakistani Diasporic Memory

Priyanka Sacheti
The Eyes of Gaza by Plestia Alaqad

The Eyes of Gaza: Plestia Alaqad’s Portrait of Endurance Amid the Horrors of Genocide

Adithya Kamesh
A Fate Written on Matchboxes

A Fate Written on Matchboxes: Hafsa Kanjwal’s Incisive Examination of India’s Settler-Colonial Project in Kashmir

Dilpreet Bhullar
Viyyukka

Viyyukka: Counternarratives of Women Revolutionaries

Shoma Sen
When We Were Arabs Massoud Hayoun

When We Were Arabs: Massoud Hayoun’s Literary Resistance to Zionism

Aysha Sana
Gulammohammed Sheikh

Of Worlds Within Worlds: Travelling Through 65 Years of Gulammohammed Sheikh’s Outstanding Oeuvre

Joshua Muyiwa
Tees

“It’s a Rather Perverse Vindication of My Film”: Dibakar Banerjee on Tees, Censorship, and Cinema

Aditya Shrikrishna
Turtles can fly review

Interrogating Innocence in Conflict: War-torn Childhood in Bahman Ghobadi’s Turtles Can Fly

Isha Kazmi
Khubsoorat movie review

Khubsoorat: An Emergency Film in Disguise

Anjali Krishnakumar

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