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Polis Project

Gaza

Dystopia

From Severance to Squid Game: How Your Favorite TV Dramas Gamify Oppression

Debiparna Chakraborty
Gaza children listen to story

What It Means to Tell Stories to Gaza’s Children Amid War and Hunger

Husam Maarouf
Randa Jarrar Palestine

“Cultural Institutions Have the Power To Co-Sign or Reject Genocide”: Randa Jarrar on Refusal, Resistance, and ‘The Last Palestinian’

Kaashif Hajee
Frantz Fanon

Frantz Fanon Stands for Revolutionary Love, Not Violence: Featuring Hassane Mezine

Bhakti Shringarpure
When We Were Arabs Massoud Hayoun

When We Were Arabs: Massoud Hayoun’s Literary Resistance to Zionism

Aysha Sana
Hunger Games

The Selective Politics of the Hunger Games’ Fandom

Maryam Ahmad
Jelani Cobb

Everyone’s Looking at Jelani Cobb, Dean of Columbia Journalism School

Sara Selva Ortiz
Turtles can fly review

Interrogating Innocence in Conflict: War-torn Childhood in Bahman Ghobadi’s Turtles Can Fly

Isha Kazmi
Tara on her music

Discovering Tara: Music with Palestinian Origins and Political Meaning

Miriam Viscusi
Demolition in Palestine and Kashmir

இந்தியாவிலும் பாலஸ்தீனத்திலும் அரசே முன்நின்று நடத்தும் புல்டோசர் இடிப்புகளின் ஒற்றுமையும் வேற்றுமையும்

Bilal Ahmad Tantray

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The Polis Project is a 501(c)(3) nonprofit organization. Your tax-deductible contribution goes directly toward supporting our contributors, our staff of talented editors, researchers, writers, producers and artists, and our fellows.

All donations are tax deductible. Our EIN: 82-4072305

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