Skip to content
Facebook-f X-twitter Instagram Youtube Soundcloud
Menu
  • PROJECTS
  • CULTURE
  • LONG READS
  • QUICK READS
  • INTERVIEWS
  • REVIEWS
  • COLUMNS
  • PODCASTS
  • VIDEOS
Menu
  • Reviews
  • Cultural criticism
  • Interviews
  • Columns
  • Podcasts
  • Profiles
  • Reportage
  • Photo essays
  • State violence & carcelity
  • Dissent
  • Narrative Control
  • Majoritarianism & mass Violence
  • Lawfare
  • Hyperimperialism & Technology
  • Climate & Ecocide
  • Mind , Memory & Trauma
  • About
  • Archive
  • Research
  • Submissions
  • Events
  • Masthead
Menu
  • Reviews
  • Cultural criticism
  • Interviews
  • Columns
  • Podcasts
  • Profiles
  • Reportage
  • Photo essays
  • State violence & carcelity
  • Dissent
  • Narrative Control
  • Majoritarianism & mass Violence
  • Lawfare
  • Hyperimperialism & Technology
  • Climate & Ecocide
  • Mind , Memory & Trauma
  • About
  • Archive
  • Research
  • Submissions
  • Events
  • Masthead
Polis Project

Photography

Debi Cornwall’s Necessary Fictions: On the sustaining fantasies of the forever war

Alexandra S. Moore

The fragile life of a boat community in northern Vietnam: From displacement to the consequences of COVID-19

Nhan Tran

Better killed than homeless: The struggle of forest dwellers in Indian controlled Kashmir

Adil Hussain

The COVID-19 pandemic brought to the fore lasting structural fragilities and inequalities: An analysis of the situation is Southern Italy

Maria Tavernini and Alessandro Di Rienzo

Everybody here has several birthdays. Intuition, telepathy, whatever, that’s the only way you survive this place

Polis Admin

Patriarchy, agency and the question of caste: A review of Geetha J’s debut feature film Run Kalyani

Aritra Bhattacharya

Young, bold and queer: India’s LGBTQIA+ young generation fighting for their rights

Maria Tavernini

Misogyny and racism as spectacle and performance: A critique of Mahesh Shantaram’s ‘The African Portraits’ and ‘Forbidden Love’

Suchitra Vijayan

How an artist gets away with #MeToo: Autopsy of an apology

Suchitra Vijayan

The reality of legends

Asim Rafiqui

ABOUT US
MASTHEAD
EVENTS
SUPPORT US
SUBMISSIONS
ARCHIVE

default-logo
Facebook Twitter Instagram Youtube Soundcloud

The Polis Project is a 501(c)(3) nonprofit organization. Your tax-deductible contribution goes directly toward supporting our contributors, our staff of talented editors, researchers, writers, producers and artists, and our fellows.

All donations are tax deductible. Our EIN: 82-4072305

Facebook-f X-twitter Instagram Youtube Soundcloud

[mc4wp_form id=”1367″]

Designed by Collectively Hyd.
© 2021. THE POLIS PROJECT . All rights reserved.

X
  • About
  • Archive
  • Research
  • Submissions
  • Events
  • Masthead
Subscribe To Substack

Menu
  • About
  • Archive
  • Research
  • Submissions
  • Events
  • Masthead
Untitled-1-2.svg
instagramTwitterYoutube Soundcloud