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Polis Project

Culture

Kunal Kamra

Why Is This Man Still Free? 7 Reasons Why Kunal Kamra Should Be Arrested

The Savala Vada
Waiting For the Fear Review

Waiting for the Fear: Oğuz Atay’s Short Fiction Stories Follow Protagonists On The Sidelines Of Society, Looking In

Areeb Ahmad
Paatal Lok season 2

Despite Its Nuanced Social Critique, Paatal Lok Season 2 Perpetuates The Carceral Gaze Of The Indian State

Aabha Muralidharan
The posters of Feminichi Fathima and Victoria.

Feminichi Fathima and Victoria Interrogate the Interiority of Women’s Lives and Celebrate Seemingly Small Victories

Aditya Shrikrishna
Ministry of Comedic Affairs

Indian Govt Launches Ministry of Comedic Affairs

The Savala Vada
Home Sweet Home

Home Sweet Home: A Moving Look At Caregiving In Denmark

Gayle Sequeira
Modi and Trump

Trump And Modi’s Valentine’s Day Rendezvous 

The Savala Vada
Huntington – Ruby Hamad Column Re-Orient

Re/Orient: Samuel Huntington’s Self-Fulfilling Prophecy and The Myth Of The “Clash of Civilizations”

Rubyhamad
Famagusta still

Political Amnesia and Censorship: Why Netflix Banned Famagusta

Koraly Dimitriadis
The Savala Vada

The Savala Vada and the Polis Project Conspire To Make India Great Again

The Savala Vada

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The Polis Project is a 501(c)(3) nonprofit organization. Your tax-deductible contribution goes directly toward supporting our contributors, our staff of talented editors, researchers, writers, producers and artists, and our fellows.

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