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Polis Project

Cultural Criticism

Nandhan and Blue Star

Food, Caste, and Popular Cinema: How Blue Star and Nandhan Subvert Brahminical Codes of Commensality

Sumaiya Mustafa
Dystopia

From Severance to Squid Game: How Your Favorite TV Dramas Gamify Oppression

Debiparna Chakraborty
Hunger Games

The Selective Politics of the Hunger Games’ Fandom

Maryam Ahmad
Advisory India MIB censorship

Did the Modi Govt Use the Frenzy Around War To Introduce Harsher Censorship Measures?

Tatsam Mukherjee
Black Hair Care

When Black-Owned Hair Care Brands Sell Out To Larger, Whiter Corporations: Betrayal, Neglect, and Co-Opting

Nyah Davis
Giardini Luzzati

Giardini Luzzati: How A Cultural Space Ties A Fragmented City Together

Iris Fabre
The Oyerepa Afutu show hosted by Auntie Naa in Ghana

Sensationalism, Insensitivity, and Shock Value: Why Ghana’s Media Courts Cannot Replace Its Failing Justice System 

Menenaba
The Milkmaid still

From The Milkmaid to Gangs Of Lagos: How Nigerian Filmmakers Are Using Cinema To Push Back Politically

Benita Ikpeamar
Olive trees in Palestine

The Enduring Significance Of Olive Trees In Israel’s Colonization of Palestine

Aysha Sana
No City for Women poster, echoing the impact of Yugantar Film Collective.

Four Decades Later, No City for Women Echoes the Enduring Impact of Yugantar Film Collective’s Path-Breaking Documentaries

Aditya Shrikrishna

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The Polis Project is a 501(c)(3) nonprofit organization. Your tax-deductible contribution goes directly toward supporting our contributors, our staff of talented editors, researchers, writers, producers and artists, and our fellows.

All donations are tax deductible. Our EIN: 82-4072305

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