Misogyny and Racism as Spectacle and Performance: A Critique of Mahesh Shantaram’s ‘The African Portraits’ and ‘Forbidden Love’ Sticky 2019-02-11 On: February 11, 2019 In: Essay, Metoo
How an artist gets away with #MeToo: Autopsy of an apology 2019-02-01 On: February 1, 2019 In: Essay, Metoo
