Aditya Shrikrishna

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“It’s a Rather Perverse Vindication of My Film”: Dibakar Banerjee on Tees, Censorship, and Cinema

Feminichi Fathima and Victoria Interrogate the Interiority of Women’s Lives and Celebrate Seemingly Small Victories

Four Decades Later, No City for Women Echoes the Enduring Impact of Yugantar Film Collective’s Path-Breaking Documentaries

Aditya Shrikrishna

“It’s a Rather Perverse Vindication of My Film”: Dibakar Banerjee on Tees, Censorship, and Cinema

Feminichi Fathima and Victoria Interrogate the Interiority of Women’s Lives and Celebrate Seemingly Small Victories

Four Decades Later, No City for Women Echoes the Enduring Impact of Yugantar Film Collective’s Path-Breaking Documentaries

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