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Polis Project

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The Milkmaid still

From The Milkmaid to Gangs Of Lagos: How Nigerian Filmmakers Are Using Cinema To Push Back Politically

Benita Ikpeamar

Silencing Solidarity: Europe’s lawfare against pro-Palestine activism

Sara Tanveer
Huntington – Ruby Hamad Column Re-Orient

Re/Orient: Samuel Huntington’s Self-Fulfilling Prophecy and The Myth Of The “Clash of Civilizations”

Ruby Hamad
Famagusta still

Political Amnesia and Censorship: Why Netflix Banned Famagusta

Koraly Dimitriadis
The Savala Vada

The Savala Vada and the Polis Project Conspire To Make India Great Again

The Savala Vada

BK-१६ जेल डायरी: तळोजा कारागृहाची अमानुषता आणि त्याविरोधातील त्यांच्या अस्तित्वाचा लढा याबद्दल मांडतायत सागर गोरखे

Sagar Gorkhe

BK-16 Prison Diaries: Sagar Gorkhe on his battle to survive Taloja jail’s brutality

Sagar Gorkhe
Maria, Just Maria

Redefining the Madwoman: Subverting Gender and Normalcy in Sandhya Mary’s Maria, Just Maria

Aparna Nair
Rohan Kanawade

A Tender Portrayal of Acceptance: Rohan Parashuram Kanawade on His Sundance-Winning Film Sabar Bonda

Ishita Sengupta
Pakistan's blasphemy laws

A Holy Terror: The fear and control of blasphemy in Pakistan

Ana

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The Polis Project is a 501(c)(3) nonprofit organization. Your tax-deductible contribution goes directly toward supporting our contributors, our staff of talented editors, researchers, writers, producers and artists, and our fellows.

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